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In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize themselves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, typefounding, advertising, and publishing industries. She considers the role of labor unions, advertising agencies, schools of art and design, and professional associations; the writings and ideas of Henry Lewis Johnson and William Addison Dwiggins; and the impact of the values of the Aesthetic Movement and the Arts and Crafts Movement.
- Sales Rank: #408048 in Books
- Published on: 1997-08-25
- Original language: English
- Number of items: 1
- Dimensions: 9.53" h x .90" w x 6.39" l, 1.17 pounds
- Binding: Hardcover
- 232 pages
About the Author
ELLEN MAZUR THOMSON is a printmaker, graphic designer, and librarian.
Burton Raffel is Distinguished Professor of English at the University of Southwestern Louisiana and author of many books, including Artists All (Penn State, 1991) and The Art of Translating Poetry (Penn State, 1988). He is the translator of Rabelais's Gargantua and Pantagruel (1990), winner of the 1991 French-American Foundation Translation Prize; Balzac's Pere Goriot (1994), and a forthcoming new version of Cervantes's Don Quijote.
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